Social Distortion @ Stone Pony Summer Stage

Social Distortion

Stone Pony Summer Stage

August 22, 2015

11-18 Live - Social Distortion (Photo by Doktor John)

ASBURY PARK, NJ—In the pantheon of alternative music, there has to be a celestial throne for Social Distortion because no other group draws such over-the-top, frenzied love and passion from the crowds as they do. By now, and in the conclusive pinnacle of their career and after seven albums stretching from the early ’80s to the second decade of this millennium, Social Distortion stands as the definitive and successful apotheosis of punk rock. With their third album, titled Social Distortion (1990), their music began to blend punk with rockabilly. During the ’90s their style took on more elements of country and western, developing into a genre that has been termed “cowpunk.”

The open air summer stage of the Stone Pony is an ideal venue for feeling the super-charged atmosphere that Social D generates, in no small part due to the zeal and ardent enthusiasm of frontman Mike Ness and to his sincere effort to reach out with appreciation and affection to the audience.

Nikki Lane’s fine country-alternative band from Tennessee served as a great opener and was warmly received by the crowd. The sun was heading down toward the end of their set and a perfect half moon shone brightly to the southwest around 8:45 when Social D roared on stage with “So Far Away” then “Let It Be Me,” “Story Of My Life,” “Sick Boys” and “Ball And Chain,” all five in order off the self-titled album. The crowd responded by forming a joyous, but ferocious mosh pit, diligently moderated by attentive and sympathetic security staff.

Ness stopped to address the crowd and announce that this tour was in celebration of the 25th anniversary of their eponymous album, their third, and the first one with a major label (Epic). By the time that self-named album was released, Mike Ness and Social D had been knocking around for 12 years, starting in 1978, with the first single in 1981, and had endured a period of band member turnovers, an early tour with Youth Brigade, eventual entanglement of Ness in heroin addiction, breakups of the band, rehabilitation and eventual stability. He reminded us that he was now and forever clean of drugs and alcohol.

They returned to the celebratory album with “It Coulda Been Me” and “She’s A Knockout.” Mike stopped again to caution the fans about misdirected “resistance to change,” then just about completed the selections from that album with “A Place In My Heart” and “Drug Train.”

Once more, during an instrumental interlude, Mike spoke to the crowd before turning to a selection from their fourth album, Somewhere Between Heaven And Hell, namely “Cold Feelings.” As had been demonstrated repeatedly during the concert, and again at this time, Ness performed with remarkable virtuosity on the guitar.

The mosh pit never quit during the show. Inevitably there was one fool who thought to turn the situation into one involving fisticuffs, but the security staff hustled him off the premises in a highly professional manner and before anything serious could occur.

Never one to neglect his roots and never failing to express his deep sense of admiration and appreciation for the greats who inspired him, Mike Ness led the band in a heartfelt, yet uniquely Social Distortion-flavored version of The Rolling Stones’ “Wild Horses.” This was followed by yet another tribute, this time a cover of Hank Williams’ “Alone And Forsaken.”

An authentic country feel was brought out by “This Time Darling” with its waltz beat. He introduced “Far Behind” by way of telling how he felt it was better to leave people who antagonize you far behind rather than get into fights with them. There was no real intermission, although lights went down onstage once. “Don’t Drag Me Down” was played just before the finale, the June Carter Cash/Mel Kilgore classic, “Ring Of Fire,” which was performed in two segments. Taking a pause from singing, while the instrumentals kept going low in the background, Mike spoke to the crowd, drew a half-dozen kids ages 9-12 on stage and encouraged them to apply themselves in school for their future benefit. There was an exuberant resurgence of “Ring Of Fire” and a jubilant conclusion to the show.

—by , November 18, 2015


Site designed by Subjective Designs | Powered by WordPress | Content © 1969-2017 Arts Weekly, Inc. All Rights Reserved.